Tuesday, June 25, 2013

Contemporary Wall Mirrors - Suggestions For Designing a Foyer

If you're looking for that ideal decor to complete designing a contemporary foyer, wall mirrors would be the perfect choice. Large in a position wall mirrors can greatly increase the look of a little foyer, they are able to help add light where light is missing, and they'll most definitely add style and interest to the space. The next ideas can help you begin designing a foyer with contemporary style and allow you to transform an regular entranceway right into a striking foyer which makes a superb first impression. It's true that first impressions mean a great deal, and visitors that step in your home is going to be immediately impressed.

Contemporary Metal Art along with a Striking Presented Mirror

A modern day wall mirror looks stunning when placed alone on the foyer wall, however when hung with contemporary metal paintings it's much more impressive. When looking for metal paintings of contemporary design you'll find high-quality choices in most colors, dimensions, and designs, and three-dimensional contemporary paintings is the perfect accompaniment for an exclusive contemporary mirror. Convey a mirror of your liking on the wall opposite to a different work of recent art to have an eye-getting display that may be seen from a variety of angles. It'll frame another fine pieces of art and smartly highlight the display.

Mount it Near the Foyer Door

Unlike the means by which many people decide to decorate a foyer, one can be put near the entranceway door rather than across from this. An attractive contemporary wall mirror placed near the door instead of opposite the doorway will prove to add interest and style towards the space, and it'll offer a handy position for touch-ups upon departing or entering the house. When the available space near the foyer door is expansive, select a contemporary wall mirror and 2 works of proper modern paintings to brighten round the mirror. This kind of display won't be immediately observed by visitors entering the house, however it will most definitely be observed on its way out.

Wall Pockets along with a Contemporary Mirror

Consider designing with wall pockets along with a fine contemporary mirror to produce a fascinating focus with texture and natural vivid color. Consider selecting a beautiful contemporary mirror and wall pockets that match the frame from the mirror. Next, place floral foam within the wall pockets, and fill all of them with an attractive artificial floral display. Faux bear grass outlined by beautiful calla lilies is definitely an outstanding choice. When organizing the flowers, bend a couple of from the stems downward for any natural appearance which will certainly impress all who enter your house.

Select a Console along with a Striking Contemporary Mirror

A beautiful contemporary console would look lovely when put into a foyer, and also the wall over the console is the perfect place for a watch-catching contemporary mirror. Choose a contemporary console with open shelves, and put an excellent sculpture or any other quality thing of beauty within the center. Hang the wall mirror in the appropriate height over the console for any lovely display which will complete the feel of your stylish foyer.

Shelves along with a Beautiful Contemporary Mirror

If your console isn't your choice, think about a modern shelf to mount beneath an attractive contemporary wall mirror. Top the shelf having a stunning modern sculpture or perhaps a sleek searching vase full of flowers that coordinate well using the colour of surrounding walls and decor. Mirrors are naturally reflective, along with a in a position mirror can help create a small foyer appear bigger. An expansive foyer can look better and lighter than ever before.

Mirrors are a great choice when designing a foyer with contemporary style which a few of the numerous methods for you to decorate a contemporary foyer with mirrors along with other wall decor. These come in a variety of dimensions and colours to satisfy every budget and preference, so when placed along with other fine works of recent art, you are able to turn an regular foyer right into a grand entranceway that's certain to impress.

Chapelle - Dressing Table Mirror





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Monday, June 24, 2013

6226 Ornate Dressing Table Mirror in the Queen's Bed room.





The big, gemstone-presented mirror (contributed by Lady Sackville), the crowning glory towards the dressing table within the Queen's Bed room http://world wide web.dollshouse.com/dhe/p...

Sunday, June 23, 2013

How You Can Produce The Perfect Disney Princess Room

There's Snow Whitened and Cinderella, Aurora (also known as Sleeping Beauty) and Ariel, there's Aladdin's Jasmine and also the Beast's Belle. Heroines for the princess or queen abound she looks. And that's why it just is sensible to provide her a bed room which makes her seem like story book royalty.

In the centre from it All: The Mattress

Fundamentally of each and every princess's private chambers is her mattress. A mattress for any princess or queen may be (or seem like) be considered a four poster mattress, perhaps a canopy mattress, maybe both. Custom theme beds could be made to seem like anything you want, which is nowhere more apparent compared to a princess designed bed room.

Lengthy flowing materials, plush pillows, satiny bedding, frilly lace edges - many of these help complete the look of mattress fit for any princess. However with a custom theme mattress, the fantasy does not hold on there. For your mattress can be put behind a drawbridge in the magnificent flower and vine covered castle or it may be placed in the splendid equine-attracted carriage (pumpkin formed or else).

Whether you choose a princess castle mattress, a equine-attracted carriage mattress, or perhaps a custom theme mattress of one other design, the reality is that the young girl is going to be elated to mattress lower during the night and can awaken every morning feeling such as the full-in-waiting that they is.

Colors for any Princess Designed Bed room: Pretty in Pink

Though crimson and gold are thought royal colors, they are the best used as accents inside a room centered through the color that rules most little princess's dreams - pink. A pink castle mattress, for instance, can make any little princess's eyes sparkle. Pink bedding, pink window covers, pink lighting fittings, pink carpeting, and pink extra furniture all only complement and finish the image.

Then think about using whitened highlights through the room to reduce the effects of the outcome of that pink.

Wall art Allow it to be Easy

Both around the walls from the bed room and also on the walls from the custom theme mattress, colored wall art are a fun way to include several fantastical elements to your son's story book world. From her dashing prince or royal prince to her animated family and friends to any or all the extravagant accoutrements of the perfect princess fantasy, an easy brush and fresh paint make miracle-making easy.

Furniture for any Princess Designed Bed room

Just a little princess always needs to be searching her best, so an adequate wardrobe and dressing table with mirror would be the two essential furniture elements to increase any princess designed bed room. You can proceed and furnish all these pieces individually without any trouble, but an alternative choice is to possess a wardrobe and dressing table built-in to her custom theme mattress.

Saturday, June 22, 2013

Country French Bed room Furniture Style is Both Elegant and Nostalgic

Presenting the brand new look of country French bed room furniture, it certainly appears to become the design and style of the day, and it is definitely not shabby whatsoever. The qualities from the French provincial furniture could be summarized in using different types of wood, with respect to the region in which the wood originated from. Juliette's inside are among the top baroque furniture and country bed room furniture providers located in the United kingdom. French furnishings are opulent, charming, elegant, beautiful, delicious and splendid, but most importantly, it's timeless. Additionally, it presents a period of lighter, more elegant furniture and appears fabulous in almost any room.

Country French bed room furniture includes furniture just like a French mattress, a side table, French bed room almirah, a cupboard and much more. Typically the most popular French country color combinations are blue and gold and poppy red-colored and gold. Wood veneers polished to high sheen are utilized rather than the ornate wood carving usually connected using the previous French furniture styles. French country furniture grew to become well-liked by the greatly popular shabby chic concept where designers and home owners alike covered sofas with sheets and country style blankets at first.

Warmth, comfort which rustic sense of being home are what describe country French bed room furniture. The style of this beautiful country style furniture is dependant on a relaxed and relaxing lifestyle from the lakeside lifestyle. It is almost always produced by craftsmen and it has a sturdy, rugged appearance. It is crucial that the furnishings utilized in a French country bed room decoration ought to be a couple of pieces that have been wood stained to become completely authentic searching. Search for rustic, durable and sturdy country furniture that's hands crafted as country furnishings are rarely bulk manufactured. As the web connects the world it causes it to be so nearly every country's furniture item could be bought easily on the internet. Like several country home designing styles, country French bed room furnishings are eclectic and remembers family, relaxation, and fun. Bed room furniture is among the most significant accents that you simply need for your house and really should contain a mattress, nightstands, cabinets, dressing tables, armoires and mirrors.

Whenever you think about romance in your home, there's no better room to create this to existence compared to the bed room through country style furniture. Purchasing furniture for the bed room is certainly probably the most exciting things you can do the furnishings ought to be comfortable and smartly designed to be able to decorate a bed room perfectly. Some sleeping rooms will also be our havens from the busy world and thus it is crucial to select comfortable, attractive bed room furniture. If you wish to incorperate your own style and taste to some home, consider buying bare wood furniture. Discoloration bare wood furnishings are relatively simple to complete as long as you've correctly prepared the wood surface.

For those who have bought some bare wood furniture, then you will have to finish it correctly. Including while using right colour of stain based on the kind of wood used to help make the furniture. Antique furniture brings the traditional consider the home, filled with love and heat. Furniture repair is required every every now and then because the charm of wood is frequently lost through age also it begins to get rid of luster. If you're lucky enough to get reside in a country cottage you'll recognize the utter benefit of French cottage style furniture when maintained. Typically produced by craftspeople, country styled products have a sturdy, reliable look.

A Trio Of Concepts for Remodeling a Master Suite

Becasue it is among the places people spend probably the most time, probably the most satisfying home refurbishments may be the primary bed room. Listed here are three suggestions for developing a dynamic new primary bed room space:

The Eagerness Boudoir

In France They usually have brought the planet in creating sexy sleeping rooms, and today housewives around the globe have adopted their lead and begun designing their sleeping rooms for sex and sensuality.

Use psychologically appealing colors which will increase your beauty and sensuousness. Be daring use bold colors. Good examples of sexy colors are rouge or lipstick yellows, creamy peaches, and subtle pink tones.

Prints for example creatures or florals can suggest exotic locales, and mirrors put into unusual places can reflect sexy candlelight. Tropic plants add mystery, and dressing tables full of feminine add-ons and intimate objects produce a romantic mood.

The Reading through Room

For most people, the bed room is really a spot to lounge and browse a bestseller. If you are certainly one of individuals people, you will want to produce a space which will increase your reading through pleasure. For example, adding padded bed headboards can make simple to use to keep proper posture while reading through.

When painting your reading through room, choose soft colors that reflect light without glare as well as support peaceful feelings. Good colors options could be " old world " ivory, antique amber, sage eco-friendly, or slate blue.

Soft, pliable pillows, luxurious Afghans or throws, works of art featuring wide-varying vistas, and mirrors will promote private reflection and add feelings of indulgence. An appropriate lounge chair having a floor light and tea table work great inside a reading through room.

Make sure to provide enough light for reading through, which may be kept away from needing to ton the area with harsh reading through lights. You are able to boost the overall light by placing much softer lighting through the room.

The Non-public Sanctuary

This kind of bed room, designed to produce a place in which you retreat in the world and unwind, provides total privacy. Display photos of buddies, family, and places you like. Also display significant souvenirs and souvenirs to help remind you of happy occasions, try not to overload and clutter your soothing tranquility. Swapping these personal keepsakes frequently with ones kept in storage helps counter the clutter and provides added significance when next seen.

Colors that really work in private sanctuaries include navy or cobalt blues, deep chocolates, and forest vegetables. More dark colors produce a womb or cave like feeling and aid deep sleep.

A writing desk, small refrigerator, and tv all lead towards the feeling of having the ability to seal the world and revel in one's own space, the whole time.

Spent a lot of amount of time in your bed room, so regardless of what kind of feeling you are attempting to create, remodeling your primary bed room to mirror your way of life is among the best projects to attempt.

Copyright c. 2004 by Jeanette J. Fisher. All privileges reserved.

Friday, June 21, 2013

Decorate Ikea Style Furniture With Wall Graphics and Wall Peel off stickers

The good thing about using graphics to brighten Ikea furniture includes:

Simple to use the decal towards the Ikea furniture Getting rid of the designer graphics is simple when the time comes to market You are able to change graphics regularly with respect to the style or season Graphics are washable making washing the Ikea surface simple 
How to pick the best designer wall graphics and wall peel off stickers for your furniture?
 
Size: We recommend selecting more compact "kits" of graphics to use towards the item. You will have a theme, or multiple more compact graphics. This can make use of surface graphic simpler.
 
Finish: Decals are available in gloss or matte. By selecting graphics having a matt finish, you'll acquire a hands colored "mural" type look. When selecting gloss you're searching for an argument. Our preference is matt, however the great factor about graphics- they promote individuality- so go for this and suit your style.
 
Colour: Exactly the same concepts of utilizing colour in interior planning affect decal add-ons. Either choose neutral colours, enhancing colours that fit the relaxation from the colour plan or contrasting colours when they fully trust your décor.
 
            Another consideration is the fact that graphics look awesome within the SAME colour because the Ikea furniture item. For example, for those who have a whitened Ikea shelf. Purchasing a decal in whitened gloss will contrast the feel and catch any available light within the room.
 
            Similarly, for those who have a shiny silver table, utilizing a metallic silver designer decal at first glance will appear absolutely amazing.
 
Suggestions for graphics for Ikea furniture:
 
You will find 100s of suggestions for using wall graphics or surface graphics on modern furniture. Don't be restricted to their list, but allow it to keep you going to attain great levels in designing your inside.
 
Ikea Chairs
Apply word graphics towards the back or chair from the chair. Words for example Buddies, LAUGH. EAT, DRINK. Apply designs towards the back or chair from the chair. Fancy being king or full for any day, convey a crown shape decal on the rear of the chair. 
Ikea Tables
Our favourite fun decal is to use a table establishing vinyl to the top dining room table. The table setting can incorporate placemat, knife, fork, spoon, glass. These could be either traditional ornate configurations or modern simplistic decal configurations. Block words. Place blocks of words, some upside lower, sideways, etc up for grabs so people can see upside lower. 
Ikea Book shelves
Insufficient books? For an enjoyable and fascinating idea, make use of a wall decal to brighten the rear of the shelf. Either straight on your wall or make use of the decal on the Ikea furniture. Bring character in to the home by draping a wall decal vine within the side from the decal IKEA shelf. 
Kitchen areas
Make use of a breakfast bench like a canvas and you may use wallquotes or wall graphics to brighten along side it from it. Put your favourite wall quote over the front of Ikea kitchen cabinets. Go retro, with graphics of 60s cocktail glasses and shakers lined over the front of the glasses storage cupboard. 
Lavatories
Help make your shower an argument having a wall decal of Medusa style hair wrapping round the shower frame. Or simply go natural by having an Ivy vine. Whitened Ikea cabinets could be decorated with rustic wall graphics which are fun for lavatories. Or go French and hang a Parisian decal theme. Place an Eiffel Tower wall decal on your wall behind the mirror, or around the bathroom door. Remember that wall graphics are waterproof and safe from nature's elements, so that you can decorate within bath tubs and showers with decal designs. 
Ikea Bed room Furniture
Disguise the research desk on the bed room by providing it either wild animal stripes, a flower explosion or simply use simple circle shapes to brighten the Ikea desk. Wall graphics are a good way of dressing an Ikea mirror. Choose either an array of emotive wall quotes or just decorate the perimeters using the title of capital metropolitan areas all over the world for any more cosmopolitan feel. 
You will find lots of great suggestions for designing Ikea furniture using wall graphics, consider getting creating today and don't forget- wall stickers are detachable so that you can improve your look anytime!
 
Designing for that obligation phobic!

Thursday, June 20, 2013

Vinaigrettes, Vesta Cases and Snuff Boxes - Memorabilia to Crave If you possess the Cash

Antique sellers give them a call through the workaday title of "smalls". The thing is flea market (sorry antique fair) stalls with glass-capped cases filled with them, their custodians frantically wishing the quirkiness from the objects will persuade some new collector to spend a few hundred quid for which is basically useless.

Auctioneers call exactly the same things objet p vertu as well as their catalogues are filled with colour pages full of the items, their new proprietors all desperate that somebody like them will fight to resist a gold pill box so small there's barely room for six aspirin. Or perhaps a situation for matches, smelling salts, thimbles, or needles. They are neither use nor ornament. No, rephrase that. They are positively pointless, however they make charming ornaments and interesting conversation pieces. Give them a call that which you like, however the vast number of small, highly-wrought products frequently things of private use, and usually with a few precious semi-precious element or exotic material for example enamel incorporated will also be intriguing.

It's a area that provides endless social historic in addition to aesthetic delight and it has the attraction to be somewhat underrated: most costs are inside a vary from £50 or less towards the upper 100s. Vinaigrettes, for instance, were the private air-fresheners persons of quality transported within the 18th and 19th centuries to arrive at agreeable foul smells that might be experienced within the metropolitan areas. These small containers held a sponge drenched in spice vinegar having a pierced grille to permit the refreshing aroma to flow. In the beginning a little, starkly rectangular box relieved only by vibrant-cut scrollwork engraving, vinaigrette developed into novelty miniature wild birds, snails, small seafood and small books within the 1790s. Card cases operate a parallel with vinaigrettes, in their design, as well as their eventual demise. Just like there is a period when no guy or lady about town would venture outside without their protection from the whiff from the open drains, similarly nobody went anywhere with no ready way to obtain phone cards.

Etiquette among polite society required that departing cards needed to follow strict rules relevant for their size, the amount to become left on going to someone both at home and a carefully considered code of messages that may be communicated by folding the corners from the card in pre-arranged ways. Similarly, the instances by which these were transported needed to comply with the guidelines of the overall game - particularly their size, that was three inches by four inches by one-half inch deep, exactly. Silver was the most well-liked medium for many early phone card cases and earliest good examples are almost always plain and workmanlike within their design. The nearer they were given towards the center of the 1800s, the greater decorative, and often flippant, the instances grew to become. Good examples with topographical sights for example Windsor Castle, Westminster Abbey and Buckingham Structure - so-known as "castle-tops" are specifically popular but could be costly at £600-800 to find the best. Around the same time frame, no lady's wardrobe was complete with no patch box.

It held little black patches to pay for facial smallpox scars, and therefore "beauty spots" grew to become a way. Formed like diamonds, crescent moons, stars or ships, today the patch boxes in our forefathers see service as pill boxes. Nutmeg, initially imported from India like a dreamed protection from the plague, later were built with a more efficient role being an integral component of punch and toddy quality recipes. Nutmeg graters made an appearance in appropriate shapes for example eggs, hearts, barrels, boots, and vases. Sometimes they'd hide a corkscrew too. The concept of breathing in powdered tobacco as snuff grew to become common in Europe within the 17th century and was loved by both males and ladies through the 18th. The habit of smoking ongoing within the 1800s and you will find, without doubt, still many enthusiasts. It makes sense an array of snuff boxes to match pockets of depths readily available for enthusiasts to locate and hoard. In the beginning fairly simple hinged boxes, they later grew to become much grander, being made like a form conspicuous display. Later a rasp was incorporated, and with time they developed into Vesta cases. These date from publish-1833, marking the invention from the short sulphur-tippedVesta match.

Early Vesta matches were unpredictable, and being highly flammable, prone to burst directly into flames in the smallest encouragement. Consequently, they needed to be stored in small metal boxes for safety. These little boxes were created in several materials, silver, brass, tortoiseshell, mother-of-gem, and, eventually, bakelite. Each one is collected today.

Wine labels were introduced around 1660 to recognize decanters and unmarked bottles. Usually two small eyelets or rings contain the silver label on the chain, that is decorated using the title from the wine under consideration and hung round the bottle's neck. Enthusiasts look for the unusual, for example shrub, Bronte or Marsala and Vidonia Because large seashells were ended up into tea chests at export for use for gathering the tea leaves, basket spoons were initially spend-formed. Because the custom of adding sugar to tea became predominant, sugar tongs adopted the same shape as fire irons These, too, grew to become more exuberant and rococo within the 1800s wishbone and figured harlequin designs grew to become popular.

Knife rests were frequently created in to the shapes from the quarry from the search: fox, hare, pheasant, or duck. The dining room table would be also adorned with silver napkin rings. They are, obviously, still helpful today, inside a prolific number of pretty, chased designs and fantastic forms. Menu card holders later modified to carry place cards for visitors, were typically embellished with your family crest. Horseshoe shapes were popular, as were others, for example Punch and Judy figures. Chatelaines are brooches or clips which connected to the girdle or even the clothing, and that essential household instruments were suspended for example penknives, pill boxes or small notebook computers. Among the best objects of vertu may be the 1700s etui (pronounced aytwee) or necessaire. They are small cases, frequently in silver or gold, meant to carry personal essentials for example spectacles, pencil, forceps, penknife and so forth.

Baby pacifiers - rattles, teething stays and idiot's - were created by means of children or bunny bunnies in mixtures of silver with barrier or mother-of-gem and therefore are frequently highly decorated. Sovereign holders alas are slightly they canrrrt hold one pound gold coin but they are collected the same. In the 1850s let's start, the "ever-pointed pencil" or even the moving pencil as you may know it grew to become popular. Two males are credited using the invention of the clever little device: silversmith Sampson Mordan and the partner, businessman Gabriel Riddle. Whichever it had been, the previous patented a design in 1822. 100 years later, S. Mordan and Co., were selling wise and highly collectable good examples varying in the silver Centennial at 12 shillings and sixpence towards the p luxe version in 15 carat gold that retailed at 130/-.

Moving pens adopted the style for figurative curiosities and were formed like frogs, pigs, owls, guns, golf equipment as well as ones with bridge markers for enthusiasts from the card game. Sometimes the pens also incorporated miniature penknives and corkscrews.

These were produced in their hundreds of 1000's, in silver and silver plate, and could be acquired for less than £30. There's a energetic market too for smoking-related products from the late Victorian and Edwardian era: cigar blades in gold or silver, cigarette cases and boxes, and ashtrays. Silver table matches started to look within the last quarter from the 1800s and rapidly assumed symbolic forms for example flintlock guns, Aladdin lamps, even grenades. Traditionalists will even find silver-backed brushes and mirrors for that dressing table, and inkstands and writing equipment for that well-hired secretaire. Other kinds of enthusiasts focus on commemorative objects, and here the scope is really huge. Silver teaspoons are particularly popular, frequently enamelled with motifs of sports or souvenirs of tourist appointments with historic locations. You just need money!

Wednesday, June 19, 2013

Levels of Discovery Princess Vanity Table and Chair Set from Levels of Discovery

Levels of Discovery Princess Vanity Table and Chair Set

From the beginning of our very best study, we have been trying to modify our product to give the best pleasure to our customers. Also catch up in trend of planet technologies and product style. We are really proud to present to you that our Levels of Discovery Princess Vanity Table and Chair Set is going to be the best beneficial answer for you and everybody who are searching for present or personal utilized. We realize that our Levels of Discovery advertising is base on the consumer trust so we had been creating our very best product since the beginning. very best beneficial product is grow to be the initial and most significant truth for Levels of Discovery.



Apart from that cause, We are concern to all customers requiring that everyone searching for a ideal product that is in the very best reasonable price. And a majority of consumer around the world they had been searching for a very long time that what exactly is the best in international market if they could achievable uncover. And there are various choices of marketing market everywhere. Nevertheless Levels of Discovery Princess Vanity Table and Chair Set may be the very best beneficial option and it's come using a reasonable price if compare to another product in the market around the world. Lastly we come up with this exceptional thought of Levels of Discovery Princess Vanity Table and Chair Set that we think that's the ideal product using a reasonable price for you.

Levels of Discovery Princess Vanity Table and Chair Set
List Price : $245.95

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The Levels of Discovery Royal Princess Girls Bedroom Vanity Set is any little girl's dream! This royal dressing table set features a heart-shaped mirror topped with a crown. Below the mirror you will find a delightful message: Always a Princess. The chair features an enchanting crown backrest with a detachable heart-shaped back cushion and padded seat cushion with gold tassels. On the table top your little princess will find two storage boxes with heart-shaped knobs and hinged-lids. These delightful boxes are perfect for storing any keepsakes your child desires. One of these elegant little boxes plays the tune ''Pomp and Circumstance.'' The flat surfaces of this vanity are made from MDF and the curved pieces are made from hardwood. This set comes partially assembled. You can view other matching pieces to the Royal Princess Set below. About Levels of Discovery After spending years as a product developer and president for companies like Enesco, the Franklin Mint, and Hallmark. Jeff Hutsell decided to devote himself to creating innovative, unique, and fun furnishings made especially for children. The resulting company, Levels of Discovery, now strives to design pieces that are more than simply pieces of heirloom-quality furniture. Each piece features unexpected details that will surprise and delight children and parents alike. Playful themes and hidden features like music boxes, picture frames, or time-out timers, elevate rocking chairs, benches, tables, and other pieces into treasured works of art that will define your youngster's childhood. Customer can add a personal touch to the item by handwriting the child's name, the giver's name, and the special occasion the gift celebrates on the understamp provided on the product. All these extras combine to create beautiful, hand painted masterpieces that are sure to become instant family treasures. Crafted from quality hardwoods and MDF wood. Colorful pink, purple, and cream finish . 2 jewelry boxes and chair are included.

Feature

  • Heart-shaped mirror with "crown"
  • Below the mirror is the charming message "Always a Princess"
  • Chair has crown backrest with removable heart-shaped back and seat cushion
  • Hidden music box plays "Pomp and Circumstance"
  • Up to age 3 (50 lbs)

Tuesday, June 18, 2013

'I Know I'll Succeed' - The Saying Which Will Make Sure You Achieve Unwanted Weight Loss Goals

What kinds of words and phrases do you use when you are talking about your weight loss goals? Do you say things like 'I hope to lose 30 pounds?' Or how about 'I'm trying to tone up?' These phrases give a rough indication of your goals, but they are not positive. By using phrases such as these, you are not clearly setting out positively what you aim to achieve; you really need to be the most positive person you can be if you are going to reach your goals.

This is where positive phrases can help you with your aims. Positive words are powerful words. They will spur you on when you are feeling low, and they will motivate you and empower you when you need it the most. Let's take this phrase as a starting point: 'I know I will succeed'. It's not a well known quote by some famous name, but it is positive and it is empowering, and this is just the type of thing you need if you are trying to lose weight.

Make it your first thought when you wake up in the morning and the last thing you think of at night before you go to sleep. 'I know I will succeed.' Say it to yourself in front of the mirror, and believe it. Think it whenever you are facing into a tough situation and use its power to get you through. Use it when you are finding a workout particularly tough, or when you are having trouble sticking to your eating plan. 'I know I will succeed.'

You might be asking yourself, how can a simple phrase such as this one help with weight loss. The answer is easy to understand - if you can visualize your success then you will be successful. Really, it's as simple as that. If you can imagine your body being 30 pounds lighter, if you can imagine yourself going to the gym, or eating a healthy meal, you will do it. Visualization is the key to success in any situation and this phrase puts you in the right mindset for weight loss. Write it down on a post-it and stick it where you need motivation the most - on your fridge, on the mirror at your dressing table, on your laptop screen. Keep it with you at all times and success is sure to follow.

Now say it with me one last time: 'I know I will succeed!'

'I Know I'll Succeed' - The Saying Which Will Make Sure You Achieve Unwanted Weight Loss Goals

What types of phrases and words would you use when you're speaking regarding your weight reduction goals? Would you say such things as 'I aspire to lose 30 pounds?' Or what about 'I'm attempting to firm up?' These phrases provide a rough indication of the goals, but they're not positive. By utilizing phrases like these, you aren't clearly aiming positively that which you goal to attain you will need to function as the most positive person you may be if you are planning to achieve your primary goal.

This is when positive phrases will help you together with your aims. Positive test is effective words. They'll spur yourself on when you're feeling low, and they'll keep you motivated and empower you when it's needed probably the most. Let us take this phrase like a beginning point: 'I know I'll succeed'. It isn't a common quote by a few famous title, but it's positive which is strengthening, which is just the kind of factor you'll need if you're attempting to slim down.

Allow it to be the first thought whenever you awaken each morning and also the last factor you think about during the night prior to going to rest. 'I know I'll succeed.' Express it to yourself while watching mirror, and accept is as true. Think it when facing right into a tough situation and employ its energy to enable you to get through. Utilize it when you're getting a workout particularly tough, or when you're getting trouble adhering for your diet plan. 'I know I'll succeed.'

You may be wondering, just how can an easy phrase for example that one assist with weight reduction. The simple answer is to know - if you're able to visualize your ability to succeed you will then be effective. Really, it's as easy as that. If you're able to imagine the body being 30 pounds lighter, if you're able to imagine yourself visiting the gym, or eating a proper meal, you is going to do it. Visualization is paramount to success in almost any situation which phrase puts you within the right mindset to lose weight. Write it lower on the publish-it and place it in which you need motivation probably the most - in your fridge, around the mirror at the dressing table, in your laptop screen. Ensure that it stays along with you whatsoever occasions and success will certainly follow.

Now express it beside me one further time: 'I know I'll succeed!'

Monday, June 17, 2013

White Finish Traditional Wood Vanity with Bench Mirror & Jewelry Boxes from Poundex

Have the Perfect White Finish Traditional Wood Vanity with Bench Mirror & Jewelry Boxes For You

It can be very easy to check out an innovative White Finish Traditional Wood Vanity with Bench Mirror & Jewelry Boxes and put it off as the next product which is similar to the many others out there, specially if there are many types already offered. Not only does having a big selection typically make it difficult for the buyer to pick what type to buy, this means that as a maker we must continue to work harder to create a product which is way greater than some of the rest of these out there.

White Finish Traditional Wood Vanity with Bench Mirror & Jewelry Boxes
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Keeping this in your mind, Poundex has resolved that we do not want to purely produce one more duplicate of the products that seem to be available. Instead that which we desired to do is present you with the most suitable White Finish Traditional Wood Vanity with Bench Mirror & Jewelry Boxes. Our company's investigation staff looked at the concepts already being created then checked out that which you wanted with this kind of merchandise before they even started plan the first layout. Their only goal ended up being supply you with a product which was unlike almost any you've ever seen.

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White Finish Traditional Wood Vanity with Bench Mirror & Jewelry Boxes

This is a gorgeous brand new vanity with an adjustable mirror at a great price! This white finish vanity is well made and will last. Isn't it elegant? The bench is included with the vanity. The table is 32" wide by 16" deep by 30.25" tall, and is 51" tall to the top of the mirror. The bench is 17" by 13.5" and 19.5" tall.

Feature

  • White Finish Set
  • Wooden Vanity
  • Comes with Adjustable Tilt Mirror and Cushioned Bench
  • Jewelry Boxes/Drawers
  • 32" wide x 16" deep x 51" tall

Sunday, June 16, 2013

Two'S Company Venitian Style Dressing Table Mirror from Two's Company

Two'S Company Venitian Style Dressing Table Mirror

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Two'S Company Venitian Style Dressing Table Mirror
List Price : $123.10

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Two's company reggia venitian style dressing table mirror. Winged design mirror with etched accents.

Feature

  • Winged design
  • Elegant accent to table or dresser
  • Made of glass and mdf

Saturday, June 15, 2013

1700s Style Dressing Table Mirror





An attractive period mahogany dressing table mirror. With dovetailed oak lined drawers and flame mahogany veneer towards the base. Sitting on delicate ogee bracket further ed...

Friday, June 14, 2013

5971 Armchair Upholstered in Fine Damask in the Queen's Bed room





Top Desk Chair and Stool This delicious upholstered chair and matching stool match our prime standard of decorating with this room. Produced from wood with...

Thursday, June 13, 2013

5935 Feet Stool Upholstered in Fine Damask





Top Desk Chair and Stool This delicious upholstered chair and matching stool match our prime standard of decorating with this room. Produced from wood with...

Wednesday, June 12, 2013

Home Staging Necessities - 50 Ideas To Enable You To Get Began in your Home Staging Journey

"Home staging" was coined by Barb Schwarz back in the early '70s, and the concept has become well known as "house fluffing," "dressing to sell," and "home presentation" to name a few, but the concept has not taken hold among home owners when selling a home because many people do not understand the idea or cannot create a workable plan for staging their home correctly.

The focus of staging is to make a home more marketable by creating the most appealing home to the greatest number of prospective buyers. It should be impersonal enough not to infringe on a buyer's own sense of style.

Decorating is optional. Staging, on the other hand, is essential - that is if you want to sell your house for the most possible money in the shortest amount of time. Staging - it is the difference between ordinary and extraordinary.

Since home staging is truly an essential part of selling your home, I wanted to share these 50 Tips To Get You Started on Your Home Staging Journey.

1. Be sure that your home is staged before you or your realtor takes the photos for the web. Over 70% of all new apartment/home searches are started on the Internet. It is imperative that the property looks good in the photos so that it can attract as many people as possible to see the real thing.

2. You should not have one person look at your house until it has been staged completely. It should not go through the broker walkthrough, MLS, open houses, or anything. Stage first!

3. Kate Hart of Hart & Associates Staging and Design LLC knows that home staging works for all properties regardless of the price point because home staging is about preparing your home for a faster and more profitable sale and marketing your property to the most potential buyers for its target audience. "I have staged homes ranging from 0,000 to million and have had the same result- the homes sell faster and for top dollar compared with the competitors within their price range."

4. If you have dark cabinets, a light colored handle or something in shiny gold will enhance them. If you have light cabinets, you can give them the sleek look by using handles of the same color so that they are hardly noticeable or by using brushed silver handles. With light wood, you can also use darker handles, gold, bronze, or even colors.

5. Sometimes renovations are needed. However, here are five that you should avoid:

· Adding high end appliances to a modest home

· Adding hand painted tiles to the bath or kitchen

· Adding a central vacuum

· Adding air conditioning (unless you are in an area that all homes have it)

· Replacing windows with newer models

6. Be sure to check with your city or county building inspector before beginning a new project. Many departments require permits, even for things as simple as changing a dishwasher.

7. Everything in its place is a good motto to remember. Always find appropriate places to store your items. Litter boxes in the kitchen and trashcans in the pantry are just two examples of inappropriate placement.

8. Julie Dana of The Home Stylist has the following tip: Do not have any cleaning products visible. You want the buyer to think that the house cleans itself. You do not want to remind buyers that there will be work to do in this house, so put away laundry baskets and dish drainers as well!

9. Lisa Wonsey of Space/Lift explains that selling an empty home can be a huge mistake. Buying or renting furniture is especially vital in an empty home. Empty homes do not show well and can sit on the market for months until a buyer with a good visual imagination comes along, or until the seller drops the price so low that the home is a steal.

10. Your refrigerator will need to be cleaned, even if you are not leaving it. People will still look inside and a dirty refrigerator will turn them off. If you are taking it with you, you may as well clean it now. If you are leaving it, then it is imperative to have it sparkling.

11. Ruthanne Hatfield of Art of Interior Placement emphasizes that taking away items is needed, but adding back is essential, too: Each room should be embellished with accessories artwork, mirrors, accent tables, silk trees and florals, as well as dishes, bedding, and towels so all areas look inviting.

12. Check for unusual odors in your house. It may come from a pet or even from your upholstery.

13. Cleaning is rarely fun for anyone, but it does not have to be a terrible chore. Play some fun, lively music. Before you know it, your adrenaline will start pumping and you will be dancing your way through the house.

14. To clean those irritating stains in the bathtub, make a paste by using hydrogen peroxide and cream of tartar. Use an old toothbrush to rub the mixture into the stain and rinse thoroughly.

15. To clean the microwave, fill a paper cup with water and a few tablespoons of baking soda. Nuke it for about 30 seconds, or until you see the contents explode. Then just take a paper towel and wipe it all off. The explosion spreads the cleanser over the entire area, and you can even use the moistened rag or paper towel to wipe outside the microwave and its surrounding area.

16. Mary Larsen of Larsen-Trochlil Designs offers the following professional tip: Do not offer money towards painting or installing new carpeting. Remember, if you are not willing to do it, your buyer is not likely to either.

17. Take a look around you. Do you have items in your home that are unused and have no real sentimental value? If so, get rid of them! These types of items can often be found in closets, cupboards, basements, and garages. Sometimes they are on bookshelves or even in your everyday living space. The more you are able to move out the more the next buyer will want to "move in."

18. If you do not have a plan for what to do with the stuff you no longer need, it will get put in the basement or the attic or the garage or simply stay in a pile in the room where it began. If this happens, then you really did not get rid of clutter - you just moved it to another location. When you are clearing the clutter for home staging purposes, you will have many different piles. Some things may go to a thrift store such as the Salvation Army, some things may go to the dump, some things may go into storage, and some things may be set aside for a garage or yard sale. Knowing what you are going to do with the extra clutter is essential to really decluttering your home.

19. Sylvia Beez of m.a.p. interiors inc. reminds us that: A home for sale should always be presented in its best light and immaculate condition, which is not the reality of everyday life. Potential buyers do not want to see how you live, with your children, cats and dogs, and mess. They want to see themselves in a perfect house under perfect conditions and that is how a home on the market should always be presented.

20. If your kitchen cabinets, pantries, and drawers - even your refrigerator - look jammed packed, it sends a negative message to the buyer. This message is that there is not enough room in your kitchen. If they were looking for plentiful storage space, after opening your crowded cupboards, they will believe that they will not find it in your kitchen. The best way to change this negative first impression is to have as much "empty space" as possible.

21. Marlene Feldman of Marlene Feldman Associates has the following suggestion for small dining rooms: If the dining room has an oversized china cabinet, consider removing it. Or, if has a top and bottom, remove the top. This will open up the space considerably

22. Take a look at your bathroom. If you are like most people, you will find half-used shampoo bottles, a jumble of hair accessories, a curling iron, foam curlers, several cans of shaving cream, tub toys, lotions, medication, books and magazines, oils, candles, toilet paper, and on and on and on. The amount of stuff we store in our bathrooms is far greater than the storage capacity for these small rooms, especially, if like many bathrooms, you have just a medicine cabinet and a very small vanity. The "stuff" that is not in use needs to be boxed up and moved out.

23. Katie Joanow of Star Staging explains that: You should remove extra chairs from the tables. Unless you have a massive space, you will not need more than 4 chairs around a table. Also remove extra leaves from the table. This will make the room feel larger.

24. Buyers want to see your carpet or your hardwood floor or your linoleum. Most home stagers suggest removing all area rugs, unless you have a large area of hardwood, where one rug is acceptable. Area rugs make spaces seem more crowded. Without them, your floor plan opens up.

25. Closets are great for accumulating clutter, though you may not think of it as clutter. Perhaps the clutter is wrapping paper, or Christmas items, or an old sewing machine. Maybe you have some keepsakes, or photo albums. Then of course there are the extra clothes and shoes. None of these things are likely to be in the throw away pile, but they should not be in your closet if you want to reduce the look of clutter.

26. Gail Greer of All Rooms Great and Small gives this tip about painting your home: You need to be willing to change paint colors. There are certain universally accepted colors and these should be used when repainting your home. Yellow or shades of gold are warm and inviting. You should also accent with yellow. Your eye absorbs more yellow and therefore sees it first. Green or blue in the bedrooms are great colors because they are restful.

27. Stand a few feet away from the entrance to the bedroom. What do you see? Whatever you see is the first thing that a buyer will see. Is it pretty? Is it bulky? Does it make the room feel small? Move anything from the doorway that is not inviting.

28. A spare room should be viewed as a bonus. It is a "plus" feature of your home, but only if the buyers can view it as such. For example, if your spare room is used mostly as an office, then, during the selling process,you need to make it just that - an office! Get rid of the spare bed and the extra dressers full of last season's clothes. Get rid of the boxes of storage items in the closet. Keep the essentials of your office such as a desk, filing cabinet, bookshelf, and a nice chair in the corner with a small table and lamp.

29. Holly Weatherwax of Momentum Realty explains that whenever possible, she recommends leaving the garage free from storage. If people see that the seller does not have enough storage and has to use the garage, they will begin to wonder if the same thing will happen if they buy the house. People like to think that they might actually be able to use a garage!

30. Find out what organizations in your area pick up items. Such organizations often include Goodwill, The Salvation Army, veteran's associations, and other local organizations. Another good way to get rid of items you no longer need is to use Freecycle. Here, you can list items you no longer need and then choose someone from a list of takers to have them. The best part is the person wanting the items comes to your home on your timetable to get them. You can find a freecycle group in your area by going to http://www.freecycle.org.

31. Get everything off the counters. Everything. Remove all appliances from the countertops. Even the toaster. Doing so will make you kitchen look larger and more spacious. It will also keep the buyer's eye from stopping on a particular item rather than getting a full view of the room. Put the toaster in a cabinet and take it out when you use it. Find a place where you can store everything in cabinets and drawers.

32. Charlie Ann Taylor of C.A.T.'S ROOMER has a lot to say about these focal points in your home: The kitchen and baths need to be model perfect because the kitchen and baths sell the home.

33. Have you taken away so much that your home no longer has any sparkle? Although YOUR personality needs to be removed, the personality of the house still needs to come through.

34. One of the most important factors to consider when placing items into a room is the idea of transition. As your eye moves around the room, you do not want it jumping from place to place or piece to piece. The movement of the eye should flow - not bounce. To accomplish this, you want to avoid abrupt changes in height.

35. Gail Jackson of Weichert Realtors explains that home staging does not need to be expensive: Paint is very inexpensive and gives you a big bang for your buck. Although a bit labor-intensive, painting is not expensive and gives your home a new, fresh, clean look.

36. Give each room a touch of the unexpected. This can be done with artwork placed in an unusual way, using a piece of furniture in a way that you normally would not use it, or adding a dash of color where the eye least expects to find it. Be creative.

37. Follow the "like-with-like" rule of the thumb. Tall with tall, small with small, wide with wide, and narrow with narrow will guide you throughout the decorating process. Mimic the shape of each space you are decorating. For example, a sofa should be accessorized with horizontal art so you are complementing wide with wide.

38. Marcia Smart's (Smart Interior Styling) tip is to: Recognize that your major competition comes from newer homes. People will take a newer home over an older home if all else is equal. That is why it is essential to give an older home something that puts it above the rest.

39. My favorite decorating tip is to look outside the box. You do not always need to use an item for its intended purpose. For example, do not just use a tablecloth for a table; make it a slipcover for your ottoman. It can save you lots of money and time when you purchase a tablecloth at a local chain verses buying yards of fabric and by purchasing the correct size it can become a no-sew project. Always keep your eyes open for new uses for everyday items.

40. Select a focal point for your room and subtly orient other furnishings and some lighting toward it. If there is a fireplace, it will nearly always be the focal point; other focal points might be bookcases or built-in shelving to house lovely collectibles, or a sofa with a striking painting on the wall above it.

41. Donna Reynolds of Home Rearrangements explains that there are two times that you can angle furniture: In a square room and if a room already has an angle in it, like a corner fireplace or a bay window.

42. In a bedroom, unless you have no other choice, you want to see the foot of the bed when you walk in. You do not want a bed to cross the doorway because it blocks the flow and makes the room look smaller. It is better to see the foot so that you can see the pretty pillows.

43. One of the easiest ways to create color is to add beautiful accent pillows to any room. Introducing a complementary accent color in a room can make a room "pop" and come alive. Accent pillows not only add color but texture and warmth as well. By adding throw pillows in a coordinating or contrast fabric to a couch chair, bench, or bed, you can transform your room and add instant warmth inexpensively!

44. One way to see if your home has curb appeal is to walk across the street and have a good look at your house. where did your eyes go? They should be drawn to the front door and entryway. If they are not, then you need to do something about it.

45. Kimberly Cash of ASPM Tidewater Home Staging Consultants, Inc. offers the following advice: People do not see their house as a product that you have to market and sell. However, selling your home is like packaging. People look at the outside before deciding to come in. Then they look at the inside before deciding to buy, and it is mostly based on looks. It is packaging. You need to wrap up your product, your home, like a beautiful package.

46. Once you have gotten the front yard in shape, it is time to work on the backyard. The most important areas of the backyard are the patios, decks, and porches. Getting these areas up to date will give the buyers a feeling that they are getting bonus space.

47. New window treatments can make a world of difference. They can add value and style to your home and be something the buyers view as a bonus - something they will not have to buy or replace when they move in. The caution, however, is that you keep the treatments neutral (keep your personality out of the room) and that you make sure they do not block the amount of light that comes into a room.

48. Debra Blackmon of Blackmon Design offers the following suggestion for your windows: Many homes have the louvers of the blinds turned down to face the floor. A more enhancing way to use blinds is to turn the louvers up to reflect much-needed ambient light onto the ceiling.

49. Sometimes, refreshing a room can be as easy as changing a light bulb. Bulbs like GE Reveal filter out yellow rays common in ordinary light bulbs, making colors, fabric, walls, and artwork appear richer, crisper, and more vivid.

50. Add pampering accessories! Things like bath bubbles, fluffy towels, and candles not only add the pampering feeling you are trying to achieve, they offer visual comfort with color and texture as well. Psychologically, we all crave that long soak with a good book, and even if we are only in the bathroom for 10 minutes to whip on some make up, just seeing those items displayed promises wonderful baths to come!

As you know, your home becomes a house - a product for sale. Staging your property gives you a more competitive edge in today's market by transforming it into a marketable product. A staged property helps you sell your investment for top dollar and is the first line of defense over lowering the price. Do not settle for less at the closing table simply because you did not understand the value of staging or did not want to take the time or spend the money to do it properly.

In this world of busy buyers, a property has to be staged to appeal to the their imagination. They want to be able to look at your home and know that they can live there. They want to know that their furniture will fit. They want to know that everything is in "move in" condition. That is why staging is so important. It allows buyers to imagine themselves living in your home with their stuff, not yours.

Presentation is everything and staging is presentation! The result is improved functionality and complementary space. Following the techniques in this book will maximize your equity while reducing the market time for your home.

Tuesday, June 11, 2013

Dresser Tour!!





This really is essentially a part of my room tour!! Haha. I simply still need to film my closet tour and actual room tour. Lol. PS I submitted this in HD.

Monday, June 10, 2013

A Transatlantic Crossing Using the Full Mary 2 - Part 1

Day One:

Driving up to the Port of Southampton's Mayflower Terminal and catching first glimpse of the white-and-black hulled Queen Mary 2, the largest, longest, tallest, heaviest, and most expensive ship ever built, evoked considerable excitement and awe. Docked to port at a 50-degree, 54.25' north latitude and 001-degree, 25.70' west longitude and facing a 116.4-degree compass heading, the 17-decked leviathan, with a 1,132-foot length and 148-foot width, featured a gross weight of 151,400 tons and towered above the buildings with its balcony-lined façade, eclipsing it with its 236.2-foot height. Its draft extended 33.10 feet beneath the water line. The floating metropolis, complete with its staterooms, restaurants, shopping arcades, libraries, theaters, and planetariums, would bridge, in six days, the European and North American continents, the equivalent in hours to the duration of the aerial crossing by 747-400, itself then the world's largest commercial airliner. But the oceanic crossing would yield civility, refinement, rejuvenation, emotional repair, and return to the slower, but more elegant era of steam ship travel-a journey, I would soon find out, would lead to a search for the maritime history of the past which had created the technology of the present.

Unlike the proliferation of modern cruise ships with their comparatively lower speeds and greater-volume, square-geometry hulls, the Queen Mary 2 had been designed as a next-generation successor to the 35-year-old Queen Elizabeth 2 and, as such, would have to offer the same year-round, passenger-carrying capabilities, predominately in the rough North Atlantic, with a design which sacrificed revenue-producing volume and lower construction costs of the traditional cruise ship for the required safety, speed, and stability of the ocean liner. Resultantly, it featured the same v-shaped hull configuration characteristic of the long line of its Cunard predecessors, constructed of thicker steel which carried a 40-percent greater cost than those of conventional cruise ships. Designed by Stephen Payne, whose inspirations for the bow had come from the Queen Elizabeth 2 and the brake wall from the Normandie, it was the first quadruple-screw North Atlantic ocean liner since the France of 1962. Payne himself, a naval architect born and raised in London, had been involved with the Carnival Holiday, Carnival Fantasy, and Rotterdam VI projects. The latter, incorporating a modified Statendam hull, had featured a less "boxy" hull shape than the traditional cruise ship, but had still been considerably removed a full liner design.

Intended for the primary Southampton-New York route, it incorporated dimensional restrictions dictated by the United States port, including a funnel height which cleared the Verrazano-Narrows Bridge by only ten feet and an overall length which exceeded the 1,100-foot pier of the Port of New York by 34 feet.

Constructed by Alstom Chantiers de l'Atlantique in St. Nazaire, France, which had also built the Normandie, and designated hull G32 by the shipyard, it had been the first Cunard liner ever constructed outside of the United Kingdom and, like Concorde, the world's fastest and hitherto only supersonic airliner, became the second British-French collaborative transportation project intended for trans-Atlantic service, although via vastly different, if not opposite, modes.

Its interior offered unparalleled space and comfort. Of the 17 decks, the first four were for machinery, storage, and the 1,254-strong crew; 13 were for the 2,620 passengers; and eight contained balcony staterooms. Notable features included a Grand Lobby, the Royal Court Theatre, the Illuminations Theatre and Planetarium, the ConneXions Internet Center, the Queen's Ballroom, a Winter Garden, nine major restaurants, 11 bars and lounges, an 8,000-volume library and bookstore, an Oxford University lecture program, performances by the Royal Academy of Dramatic Art, five swimming pools, sports venues, a Canyon Ranch Spa, a pavilion of shops, and a discotheque. These appointments would constitute my "home" for the next six days.

Symbolically reflected by its smaller QE2 predecessor berthed a considerable distance from its bow at the Queen Elizabeth 2 Terminal, the Queen Mary 2 represented a two-fold gross weight increase over its earlier-generation counterpart and, indeed, traced its lineage back to a long path of Cunard vessels which had spanned a 165-year period. I somehow sensed that the imminent crossing would not only be a journey of distance, but a return in time.

Gently vibrating at its spine, the behemoth laterally separated itself beneath from its berth below the metallic overcast at 1810, local time.

Unlike the conventional engine-propeller shaft technology of older-generation ships, the Queen Mary 2 was powered instead by four aft, hull underside-mounted Rolls Royce Mermaid electric-motor pods, each weighing 260 tons and containing four fixed-pitch, 9,900-pound, stainless steel blades, and collectively producing 115,328 horsepower. The forward, outboard pair was fixed and provided forward and astern propulsion, while the aft, inboard pair featured 360-degree azimuth capability and provided both propulsion and steering, obviating the need for the rudder. The advanced-technology system reduced both complexity and weight and increased internal hull volume by eliminating the traditional engine configuration's associated equipment.

Three Rolls Royce variable-pitch, transverse-propeller bow thrusters, collectively producing 15,000 horsepower, provided port and starboard bow maneuvering capability at speeds of up to five knots. At eight knots, when their effectiveness had been exceeded, they were covered by 90-degree rotating, fluid-dynamic doors.

Led by dual water-sprout shooting tugboats, the behemoth oceanliner commenced its lumbering movement down the basin. Maintaining an 11.5-knot forward speed in the Solent, it commenced its starboard turn from 140 degrees at Calshots Reach at 1907, poised for the similar maneuver at Brambles.

Compressed into dark gray, the sun projected its glowing orange streaks outward through the thin, unobstructed strip on the western horizon. Assuming a 220-degree heading through the Thorn Channel, the Queen Mary 2 initiated its starboard turn to round the Isle of Wight.

The first dinner on board the elegant, maritime engineering triumph had been served in the 1,351-seat, three-story-high, dual-level Britannia Restaurant which had featured a grand, sweeping staircase, column supports, and a vaulted, back-lit, stained glass ceiling and was reminiscent of and inspired by the grand dining room salons of the 20th century French liners such as the Ile-de-France, the L'Atlantique, and the Normandie. The meal itself, served on Wedgwood bone china and in Waterford crystal, had included white zinfandel wine; cream of mixed mushroom soup with parmesan croutons; crusty rolls and butter; oak leaf and Boston salad with shaved carrots and sherry vinaigrette dressing; rack of pork with wild mushroom ragout, truffle mashed potatoes, morel sauce, and sauerkraut; warm apple strudel with brandy sauce; and coffee.

The thin line of orange lights outlining the coast traced itself behind the stern. Maintaining a 27-knot speed and a 250-degree heading, the rock-steady, 151,000-ton engineering mass plied the black channel and commenced its great circle course, from Bishop's Rock in the Scilly Isles. Ahead lay the infinite Atlantic-and the path forged by every one of Cunard's previous transatlantic liners. Tomorrow, I would begin tracing the historical one.

Day Two:

Dawn greeted the lengthy liner as a tunnel of indistinguishable, moist gray. Encased between the morose cloud dome above and the navy sea slate below, which spat periodic white caps, the black-and-red funneled vessel penetrated the moisture-saturated morning, the rain-emitting sky and the swirling, eddying sea merging into seamless, wind-blustery, ship-bombarded drench.

Any undesired movement, however, was quickly, and invisibly, dampened by the two pairs of 15.63-square-meter Brown Bros/Rolls Royce fin stabilizers which were controlled by gyroscopic vertical reference instruments and extended as far as 15 feet from the hull to counteract ship roll.

Plunging into 348-meter-deep waters 98 nautical miles off of Ireland at noon, the Queen Mary 2 had traversed 418 miles since its departure from Southampton yesterday.

Current weather entailed intermittent, light rain with a clockwise movement to the west, predicted to drop to force 4. The present force-5, fresh breeze out of the south, coupled with an 11.2-degree Celsius air temperature, carried a 994-millibar pressure. The sea, with a moderate 4 state, maintained a 10-degree Celsius temperature.

Afternoon tea, held in the Queen's Room, had been a British tradition and a delightful intermittence between lunch and dinner served on every Cunard crossing, the last personal one of which had been the 2002 eastbound journey on the Queen Elizabeth 2. The Queen's Room itself, the largest ballroom at sea, featured an arched ceiling, twin crystal chandeliers, a velvet blue and gold curtain over the orchestra stage, a 1,225-square-foot dance floor, a live harpist, and small, round tables seating up to 562. Today's presentation included egg, ham and cheese, cucumber, tomato, beef, and seafood finger-sandwiches, scones with clotted cream and jam, and strawberry cream tarts.

Afternoon tea at sea could trace its lineage back some 165 years. Einstein's theory of relativity somehow seemed to apply. Suspended between continent, landmass, and population, the ship seemed caught within a void, an arrested warp in which history seemed captured and in which the vessel reconnected with its past, as it once again replayed it, a separation from the present on land and an approach to its past on the sea. It was to this suspension of time, distance, and place that the threads of Cunard's past indeed led. One man, who had lived some 200 years ago, had made the journey of today possible.

The name of that man, of course, had been the same as that which had graced a long line of ever-advancing Atlantic ocean liners, Samuel Cunard. Born on November 21, 1787 in Halifax, Nova Scotia, as the son of Abraham Cunard, himself a carpenter at Halifax's Royal Naval Dockyard, he had forged a maritime link upon physical entry into the world. His initial venture had entailed a Royal Mail contract award to transport mail over the Boston-Halifax-St. John's route after cessation of the War of 1812 between Great Britain and the United States, while he later became involved with the first steam-powered vessel project intended for Atlantic crossings. Named the Royal William, the 160-foot-long, 1,370-ton ship had been inaugurated into service in August of 1931 between Quebec and Halifax, requiring 6.5 days for the journey.

The venture which had sparked his ultimate fame, however, occurred at the end of the decade when the British government had announced its intention to subsidize steam-powered mail service between England and the United States. In a formal proposal to fulfill the requirement, submitted on February 11, 1839, Cunard outlined a bimonthly, steam-powered service between England and Halifax operated by 300-hp ships making 48 annual crossings. Awarded a contract by the Admiralty in June for four 206-foot-long, 400-hp, 1,120-ton vessels ultimately to be designated the Acadia, the Caledonia, the Columbia, and the Britannia, he finalized plans to serve the Liverpool-Halifax-Boston route.

The latter ship, the Britannia, had actually been the first to be completed. The 207-foot-long, 34-foot-wide hybrid power ship, constructed of African oak and yellow pine at Robert Duncan's Shipyard on the River Clyde in Scotland, had featured a clipper bow, three masts with square yards, and two mid-ship-located, black-and-gold paddle boxes which extended almost 12 feet from either side and contained 9-foot-wide, 28-foot-diameter paddles turning at 16 revolutions per minute and operating off of a 403-hp, two-cylinder, side-lever steam engine which burned 40 tons of coal per day exhausted through a single, aft smoke stack. The engine, requiring 70 feet of hull for installation, drew coal from a 640-ton bunker.

Of the four decks, the upper, or main deck, featured the captain and chief officer cabins, the pantry, the galley, the officers' mess, the crew cabins, the raised, exposed bridge, and the dining saloon, which, at 36 feet long and 14 feet wide, had been the largest enclosed room on the ship. Two aft, circular staircases linked the dining hall with the second deck, which housed the gentlemen's and ladies' cabins, each with two bunk beds, a wash basin, a mirror, a day sofa, and a port hole or an oil lamp, with shared toilet facilities, equaling a 124-person capacity, of which 24 had been female. The cargo holds, located on either side of the engine yet another deck lower and capable of accommodating 225 tons, accompanied the sail locker, the mail room, the stores, the steward quarters, and the wine cellar in the stern. Coal had been stored on the fourth, or lowest, deck.

The 1,154-ton Britannia, inaugurated into scheduled service on July 4, 1840 from Liverpool to Boston with an intermediate stop in Halifax, operated the world's first transatlantic steam ship service, carrying 63 passengers and taking 12 days, ten hours for the 2,534-nautical-mile crossing at an 8.5-knot speed, one third of the journey undertaken by pure-sail. After an eight-hour port suspension in Halifax, it continued to Boston in another 46 hours.

By January 5, 1841, all four Cunard ships had entered the fleet.

The Britannia itself made 40 round-trips before being sold to the Prussian Navy, which had converted it to a pure-sailing ship used for target purposes and renamed it Barbarossa. It was ultimately sunk in 1880. Nevertheless, it paved the way for a long line of Cunard liners to come.

Biting into the angry, dark-blue, white cap-spitting North Atlantic on a 272-degree heading at 1545 with its protruding, bulbous bow, the mighty Queen Mary 2 engineering triumph pitched on its axis at a 23.4-knot speed, the sun's rays having been powerful enough to tear the singular cloud fabric into a puffy, white mosaic of aerial islands. The ship had reached a 50-degree, 12.036' north latitude and 14-degree, 26.312' west longitude coordinate.

That night's dinner, served in the Britannia Restaurant, had included Merlot wine; smoked halibut mousse and jumbo shrimp on Russian salad; Lollo Rosso and apple salad with caramelized walnuts and cider vinaigrette; filet mignon and lobster tail with young roasted potatoes, polenta cake, and asparagus in hollandaise sauce; chocolate banana tart with mango sauce; coffee; and petit fours.

The Britannia, as a ship design, had been only the beginning, and would pale in comparison to the leviathan Cunard vessels produced in the 20th century.

Day Three:

Continually bowled significant sea swells, the Queen Mary 2 had pitched through the dark blue, star-glittering night at its center of gravity like a seesaw, its bow pounding the mountainous wave troughs and projecting avalanche-white reactions at 45 degrees from its centerline.

Breakfast, eaten in the King's Court with its multiple stations, had included a ham and pepper omelet, bacon, hashbrowned potatoes, a grilled tomato, white toast, and cranberry juice.

Negotiating 25- to 30-foot seas over the mid-Atlantic ridge, which covers the Continental Divide, the ship had sailed 590 nautical miles in the 24-hour period since 1200 noon yesterday, now pursuing a 263-degree heading, with 2,075 miles remaining to the New York Pilot's Station.

Light rain showers were forecast to dissipate, with gradual clearing. The force-5 wind, out of the northwest, had produced 9-degree Celsius temperatures, with a 996.5-millibar pressure. The sea, whose moderate state had been registered a "4," maintained a 12-degree temperature.

Gazing out toward the Atlantic's infinity, I could not help but think that somewhere out there, if not in physical space, then in historical time, had been the first of the "huge" Cunard Atlantic liners which assuredly had passed this way during the beginning of the 20th century.

The design, the Lusitania, had had its origins as early as 1902 when J.P. Morgan had attempted to create a steamship conglomerate called the International Mercantile Marine by buying several existing companies, including the White Star Line. In order to ensure Cunard's continued autonomy and dissuade its absorption into the ever-expanding corporation, the British Parliament had granted it a 20-year contract and subsidy to build two of the world's then largest and fastest liners and, in the process, regain the speed record the Germans had captured with three of their twin-screw vessels.

Cunard, seeking tenders for the two ships from four shipyards, specified a 750-foot length, a 76-foot width, and a 59,000-hp capability attained by reciprocating engines driving triple screws. The contract, awarded to John Brown and Company of Clydebank, Scotland, resulted in a 790-foott length and an 88-foot width, eclipsing the 30,000-ton gross weight by 2,500 tons for the first time, and employing turbine engine technology, also for the first time, with a 68,000-hp combined capability, exhausted, in an effort to emulate the Germans, through four funnels.

Construction, commencing in the fall of 1904, produced two of the largest, fastest, and most powerful Atlantic liners ever built with long, sleek designs; straight sterns; rounded bridges; and four raked funnels sporting 787-foot lengths, 87-foot widths, and 31,550-ton gross weights propelled by steam turbines geared to quadruple screws.

Accommodating 563 first class passengers amidships, 464 aft second class passengers, and 1,138 third, or steerage, class passengers in the forward portion of the hull, the first of the two new liners featured opulent appointments. A Georgian-style lounge sported light green colors, a marble fireplace, stained glass panes, and a 20-foot-high dome. The Veranda Café had latticed wall patterns and rattan furniture. The dining room, of dual-deck configuration, had been the first of its kind on a Cunard ship. The main lounge had been decorated with mahogany paneling, while the smoking room featured dark Italian walnut. The second class dining saloon also sported Georgian appointments and the drawing room had been decorated in the Louis XVI style. Featuring electricity for the first time, the Lusitania provided modern conveniences to its passengers, including two elevators.

On its second westbound crossing, the liner beat all speed records, averaging 23.993 knots and covering a 617-mile, single-day distance, although it ultimately broke the 26-knot mark, reaching New York in four days, 20 hours.

Its fate, however, was not to remain so successful. Departing England on its 202nd voyage on May 1, 1915 with 1,257 passengers, 702 crew members, and three stowaways, the ship had approached Great Britain, sailing ten miles off of Old Head of Kinsale when it had been broadsided by a German torpedo, listing forward and to starboard. Slipping oceanward at a 45-degree, bow-first angle, it hit bottom 18 minutes later, exploding and killing 1,201 on board, the result of a deliberate act of war.

Because not an outcrop of land is sighted during the six-day Atlantic crossing, the Queen Mary 2 seemed suspended in a void between two continents, the journey about course, speed, weather, sea state, distance, and interior life, the temporary, although ever-moving civilization atop the sea.

Soldiering on, the ship burned 3.1 tons of heavy fuel oil per hour at a 100-percent load to operate its diesel engines, or 261 tons per day at a 29-knot steam speed, while it used 6 tons of marine gas oil per hour to run its gas turbines, or 237 tons per day, drawing off of a 1,412,977-US gallon tank for the former and a 966,553-gallon tank for the latter.

Its fresh water supply, produced from seawater by 3 Alfa Laval Multi Effect Plate Evaporators, replenished itself at the rate of 630 tons per day, satisfying its 1,100-ton daily consumption. The potable water tank capacity equaled 1,011,779 US gallons.

A German-themed lunch, served in the King's Court, had included bratwurst, bacon sauerkraut, cheese spaetzel, roasted potatoes, schnitzel, and black forest cake.

Maintaining a 261-degree heading and a 23.1-knot steam speed, the city at sea had reached a 49-degree, 43.705' north latitude and 28-degree, 25.458' west longitude position by 1500.

The Queen Mary 2's Winter Garden, designed after the skylighted verandah cafes of the Mauretania, had featured a 60-by-25-foot trompe l'oeil ceiling depicting a lush, verdant gardens, paneled walls which looked through cast iron gates to rolling hills, and wicker furniture, and had been created to counteract the cold, gray, turbulent winter of the North Atlantic.

The Mauretania itself, the ship which had provided the Winter Garden's inspiration, had been the second of the two early-20th century Cunard designs after the Lusitania. The nine-decked liner, accommodating 563 first class passengers in 253 cabins, 464 second class passengers in 133 cabins, and 1,138 third class passengers in 278 cabins, had featured its own opulent appointments. The first class smoking room, for example, located in the stern, had featured polished wood wall panels and plaster friezes. The lounge, located on the Boat Deck and measuring 80 by 53 feet, had been adorned with mahogany wall panels, gold moldings, long ceiling beams, gilt bronze, and crystal chandeliers. The library, featuring bay windows, had been decorated with sycamore paneling. The first class dining room, seating 330, had been configured with long, white clothed tables and revolving chairs, and was decorated with polished ash, teak-molded paneling, and arched windows, while the second class dining room, with parquet floors, featured Georgian oak paneling and carved cornices. A grand staircase, installed between the second and third funnels, connected five decks with the public rooms.

Entering service on November 16, 1907 between Liverpool and New York, the Mauretania had been retrofitted with four-bladed propellers two years later, in 1909, at which time it could attain maximum speeds of 26.6 knots. It had been only the first of several modifications. With the outbreak of World War I in 1914, for instance, it had been repainted gray and briefly served as a troop ship, reliveried and returned to commercial service five years later in 1919, at which time it operated in company with the Aquitania and Berengaria, offering weekly east- and westbound service on the Southampton-New York route. It remained the fastest of the three.

Yet another modification, necessitated by fire, resulted in conversion to oil-burning engine technology and cabin reconfiguration, reducing both the second and third class passenger capacities.

In its 27 years of operation, during 22 of which it had held the North Atlantic speed record until it had been recaptured by the Bremen in 1929, the Mauretania had sailed some 2.1 million miles in transatlantic, Mediterranean, and Caribbean service before being usurped by two larger, more advanced Cunard liners. Making its last crossing on September 26, 1934, it was scraped the following year in Scotland.

That evening's dinner, served in the Queen Mary 2's Britannia Restaurant, had featured white zinfandel wine; baby shrimp thermidor on walnut brioche; cob salad with smoked chicken and bleu cheese dressing; roasted seabass with Mediterranean vegetables and olive tapenade; banana foster flambee with rum raisin ice cream and whipped cream; and coffee.

The Lusitania and Mauretania replacements, although larger, would prove a motley pair: although one had been the third in the series, it had been slower, while the other had been transferred from the fleet of the enemy, the Germans.

Day Four:

Suspended in the middle of the Atlantic, the black-hulled leviathan pursed its Great Circle course on a 249-degree heading, eating the gray and foamy-white ocean with its bow with a 21.7-knot appetite. Four hundred seventy miles off the coast of Newfoundland, the ship negotiated 3,549-meter-deep waters, having covered 607 nautical miles in the 24-hour period since yesterday, now 1,615 miles from Southampton. At a current 47-degree, 34.066' north latitude and 042-degree, 00.754' west longitude position, it was 1,468 miles from its destination.

External conditions were mild: the air temperature, at 14 degrees Celsius, had been coupled with a force-4 moderate breeze out of the southwest and low level cloud, with a 989-millibar air pressure. The sea, whose state had been slight, had a 12.7-degree Celsius temperature.

If the triplet of early 20th-century Cunard liners could have sailed past the Queen Mary 2 in chronological order, the Aquitania would have trailed both the Lusitania and the Mauretania, the third of the long, sleek, quad-funneled vessels constructed by John, Brown and Company of Clydebank.

The 45,647-ton ship, with a 901-foot length and a 97-foot width, had been both larger and heavier than its two predecessors, resulting in a 3,200-passenger capacity. Launched on April 21, 1913, it had commenced trial runs 13 months later, achieving a 24-knot maximum speed, and entered commercial service on May 30, 1914 on the Liverpool-New York route.

Opulently appointed, it featured a long gallery which connected the main lounge with the smoking room decorated with a series of garden lounges; a carpeted, Louis XVI-style first class restaurant; a columned Palladian lounge, which spanned two decks; and the first pool ever installed on a Cunard ship.

Late to the North Atlantic, the Aquitania had sailed on the fringes of World War I and had been requisitioned by the government for military service as an armed merchant cruiser in August of 1914; but, because of its excessive size, had been recommissioned as a troop ship the following year. Reconfigured for ocean liner service after the war, the ship resumed its civil role in August of 1920, amending its capacity six years later, in 1916, when a major reconfiguration decreased the first class passenger complement from 618 to 610, increased the second class capacity from 614 to 950, and dramatically decreased the third class complement by some three-forths, from 1,998 to 640, in order to more accurately match passenger class demand.

Once again reconfigured to a 7,724-person troop ship during World War II, the Aquitania provided eight years of military service during which it had sailed 500,000 miles and carried more than 300,000 troops.

Arriving in Southampton on December 1, 1949, the multiple-role vessel ended 35 years of service, having sailed some 3 million miles on 443 voyages. It had been Cunard's last quad-funneled design.

Lunch, back in the present on the Queen Mary 2, had been served in The Carvery, itself one of the King's Court stations, and had included beef tikka masala, white rice, cauliflower in cheese sauce, and double chocolate fudge cake.

Although the Aquitania's very long, mulitple-role, and fruitful career had ended in 1949, it had, for the most part, continued to operate in tandem, as originally conceived, with two other Cunard transatlantic liners, despite the fact that the Lusitania had been destroyed almost immediately after entering service. The third ship, however, emanated not from a Cunard blueprint given life by a ship builder on the Clyde, but instead by the very enemy which had necessitated its replacement.

Endeavoring to compete with the Cunard and White Star Line designs which now regularly plied the Atlantic, the Hamburg-America Line had laid the keel of a new breed of transatlantic liners on June 18, 1910, intended to be the largest-capacity, highest gross weight passenger ship ever built. The specifications were, for the time, staggering: measuring 919 feet long and 98 feet wide, the elongated, tri-funneled, 52,117-ton ship, designated the Imperator, had been powered by steam engines geared to four-bladed propellers feeding off of 8,500-tons of coal nourishing two 69- and 95-foot-long engine rooms, respectively. Accommodating 908 first class, 972 second class, 942 third class, and 1,772 steerage class passengers, the behemoth, steered by a 90-ton rudder, was christened on May 23, 1912 and entered commercial service 13 months later, on June 10, from Cuxhaven to New York with an intermediate stop in Southampton.

The Imperator featured a First Class winter garden with potted palm trees and a dual-deck indoor swimming pool.

Because initial service had demonstrated top-heavy conditions, its three funnels were shortened by nine feet during an autumn retrofit.

Ultimately banned from sailing because of World War I German atrocities, the ship had been moored in Hamburg for four years until a war reparation agreement resulted in its transfer to Cunard in 1919 as compensation for the German-sunk Lusitania. Rebased in Southampton two years later, in April of 1921, it had been subjected to an initial retrofit during which its coal-burning engine technology had been replaced with oil and it had been reconfigured with 972, 630, 606, and 515 first, second, third, and tourist passengers, respectively. Redesignated Berengaria, the ship joined the Mauretania and Aquitania, operating Cunard's weekly transatlantic service. Although it had been originally planned to continue operating it until 1940, its antiquated wiring system, which resulted in persistent on-board fires, had precluded its anticipated service longevity, temporarily leaving only the Mauretania and Aquitania until a new breed of Cunard liners, to offer double the tonnage of the existing designs, could enter service. That ship, of course, bore the name of the current one: Queen Mary.

Dinner, served in La Piazza Restaurant on board the (present-day) Queen Mary 2, had included a mixed green salad with ranch dressing; artichoke hearts; vegetable moussaka; pasta with onions, mushrooms, black olives, garlic, and red tomato sauce; tiramisu; and coffee.

Dusk could be more accurately gauged by looking beyond the wooden deck with its Queen Mary I-reminiscent line of deck chairs and down toward the sea, rather than up toward the sky. The former, a reflection of the latter, had appeared a deep blue, mirroring the temporary brightness of the sky during the early-evening when the mountainous white cumulous formations had parted, creating a blue rift. It then rapidly metamorphosed into a dark blue and, momentarily, a cold, morose, winter gray, the prevalent environmental conditions of so many earlier transatlantic crossings, as the dark, billowing clouds reassembled into a tight, cohesive quilt, hindering even a momentary glimpse of the sun. Merging dimensionally with the ocean, the amorphous, referenceless void cacooned the floating city until visibility extended no further than ten feet from either of its sides. Two souls, well dressed, braved the fierce, blustering wind as they attempted, buttressed by the force, to circle the deck. Thus was life on a transatlantic crossing.

As the day bordered the midnight demarcation line, the ship crossed from the Newfoundland Basin to the Grand Banks of Newfoundland and, effectively, reached the North American continent. Two days of steaming remained before it arrived at its terminus, the Port of New York.

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